Month: April 2022

Jewelry photography – Tips and tricks that create stunning photos

Jewelry photography – Tips and tricks that create stunning photos

Whatever your motivation for photographing jewelry, the gleaming gems will provide unique obstacles. For one thing, they’re gleaming, and they’re small enough to have intricate, elaborate patterns. Their silver, gold, dazzling, transparent surfaces, as well as the diversity of hues they come in, can be difficult to light. Even more difficult is avoiding flare, reflection, hot spots, and well, you get the idea. You either have it or you don’t.

The good news is that none of these matters because there is a fundamental method to jewelry photography that yields stunning results with a little planning.

To demonstrate our point, we invited commercial photography extraordinaire Austin Dole to put his skills—along with a Nikon D810 DSLR, a pair of SB-900 Speedlights, a few lenses, and a few basic accessories—to work turning treasures into appealing photographs with minimal trouble.

A Smaller Room

Controlling the light, you’ll need to illuminate your objects is important to producing amazing results, and the simplest method to do it is to restrict it to a restricted location. Getting a light tent is the best way to achieve this. The light will be softened and diffused, and the effects will be constant. A Google search for that piece of equipment will yield a plethora of options. Austin utilizes a Photek Digital Lighthouse Shooting Tent from a previous generation. It had white Plexiglas and black fabric insert bases and measured 18x18x27.5 inches. “I recommend a light tent with a big entrance, regardless of brand,” Austin explains, “so it’s simple to place your camera and lens.”

Keep Things Clean

Dust, grime, debris, smudges, and fingerprints must be removed from the jewelry. When you’re shooting close to a subject, every stray bit of anything will show up when you look at the photographs on a monitor or in print. “When photographing jewelry, canned air is one of the most critical things to have,” Austin adds. “Also useful is a soft, lint-free microfiber cloth. First, I use the cloth, followed by a blast of air. And I still go over each photograph in post-production to see whether it needs a little Photoshop sprucing up.”

Position is Everything

That is the location of the Speedlights. Austin’s ideal positioning, which he got at through a combination of expertise and experimenting, may be seen in the accompanying setup photographs. He explains, “It’s natural to have some top light and some sidelight.” Test photos will demonstrate how the placement of one or two Speedlights affects the image quality. “Using two lights will give the piece of jewelry more dimension and change how the shadows fall on the contours and curves of each item.” Basically, it’s a case of trial and error until you start to achieve the results you like, at which point you’ll have a foundation to work with. The way the light falls on a segment or component of the jewelry, and how it highlights the item, is what will make the piece stand out.

The position is Everything, Part 2

Then there’s the angle at which the camera and lens are positioned with regard to jewelry photography. You have more alternatives with a light tent with a huge entrance. “I want a lot of wiggle space on the camera and lens location,” Austin explains, “so I can find the most attractive viewpoint and one that allows me depth-of-field options.” If I’m looking at an opaque piece of jewelry, it will appear more appealing to me if it’s shot sharply from front to back. If the jewelry has any transparency, the camera will be positioned lower to allow the piece’s color and translucency to shine through and offer an additional impact. Click here to read about Jewelry Photography Equipment You Must Have.

Make Arrangements.

Austin will move the tripod-mounted camera once the jewelry is inside the light tent. “I’ll move up and down, this way and that until I find a comfortable posture. Then I’ll lock the camera down and begin arranging and maneuvering the jewels into a symmetrical, appealing stance with a pair of tweezers. I don’t attempt to do both at the same time—maneuver the camera and the jewels. I first set up the camera and viewpoint, then tweak the jewelry.” That stated the camera may need to be adjusted towards the conclusion of the jewelry arrangement. In some cases, Austin can leave the camera locked down for the next item, but it’s likely each piece is best served by its own camera position and angle. “You do whatever the item requires; you’ll see what works best.”

Lens Choice

For these shots, Austin utilized his AF-S Micro NIKKOR 60mm f/2.8G ED and AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED, which he likes for close-up photography. They have a decent working distance (the distance between the lens front and the subject you’re photographing) and a 1:1 (life-size) reproduction ratio. Both manual and autofocus modes were employed by him. “I tended to focus on the real close-ups and the tiny single items, such as earrings, manually.” They’re bigger in the frame, so critical attention is simpler to accomplish. I used autofocus for the somewhat larger views where I could choose the focus point—typically it’s more accurate than manual, especially when I’m focused on composition and lighting.

Keep It Simple

Placing jewelry on wood, metal, glass blocks, or other props, at least at first, can result in some truly fascinating photographs, but adding anything to your jewelry sets adds complication. Before going on, it’s important to start with the basics and master them. “Adding objects create more intricate lighting,” Austin explains. “Jewelry has a surface that you light for; if you add another surface, you’ve added another texture, and you’ll probably need to move the lights about or add more Speedlights to the setup.”

Final thoughts

The goal of every jewelry photography is to ensure that the jewelry photos are attractive enough to make sales. In an interview with Austin a commercial photographer, you must have learned a thing or two about how to take your jewelry photography to another level.

Jewelry Photography Equipment You Must Have

Jewelry Photography Equipment You Must Have

Even as a professional photographer, jewelry photography can be seriously challenging. This is because jewels can be highly reflective, so you have to take care to use the correct amount of light required. Also, precious stones can be very small in pictures, so you have to ensure you are using the right kind of lens to get the right picture. Finally, colored stones look less vibrant in photos than they do in reality, and this is due to the reaction they have with the chromium present in the film.

Although jewelry photography can be very difficult, it can be made easier if you use the right photography equipment to do your jewelry photoshoot. In this article, we will share with you the different types of photography equipment you should have to do jewelry photography right, and what you should look out for when buying or hiring this equipment for your jewelry photoshoot.

1. Camera

It should go without saying that the most important equipment you would need for jewelry photography (or any other kind of photography for that matter) is a camera. But what kind? 

There are different kinds of cameras around, and not all of them are good for this purpose. For starters, do not even consider taking photos with your phone or any other kind of low-budget camera, as it won’t serve the required purpose and reduce the quality of your shoot. 

The best types of cameras you should use for jewelry photography are DSLR (Digital Single-Lens Reflex) cameras. One reason why this is true is because of the lenses they come with. They usually come with additional compatible lenses which is a very important feature. For example, you can use the macro lens to shoot jewelry from close range and get the tiniest details, and if it has a longer focal length, you can shoot it from a suitable distance and still get the best out of your picture. 

Examples of good cameras you can use for jewelry photography include Nikon D3400, Canon EOS Rebel T5, and Sony SLT A58K.

2. Lens

The type of camera you use can determine how easy it is for you to carry out your jewelry photoshoot, and the camera lens is just as important. Macro lenses are usually the best options to consider for jewelry photography, as they can help you take close-up photographs of your jewels. Macro lenses are also the best for all kinds of product photography, so if you are into all kinds of product photography you can consider using your macro lenses for that too.

Some good macro lenses you can use when doing your jewelry photoshoot are:

  • Canon EF 24-70 mm f/2.8L II: Because this is one of the best macro lenses in the market, it is also one of the most expensive. The Canon EF 24-70 mm offers you a zoom quality that is very rare, as well as good sharpness for your quality jewelry images 
  • Tamron SP 35mm f/1.8: Although Nikon, Canon, and Sony may rule the photography world and produce the best cameras and lenses, there are other less-known brands out there that are giving them a run for their money. Tamron is one of them. Tamron makes the list as one of the best macro lenses in the market because it is simply brilliant at taking sharp photographs. It has a magnification ratio of 1:2.5 and a dynamic close focusing capability. 
  • Nikon AF-S DX Micro-NIKKOR 40mm f/2.8G

The Nikon AF-S DX Micro-NIKKOR 40mm f/2.8G is a great option for people who are big fans of Nikon but don’t want to break the bank for other expensive Nikon lenses. It is lightweight, making it portable and easy to carry around. The only issue you might have is the slower autofocus this camera has, and it is probably worth it if you get to save a few hundred dollars. 

3. Lighting

You can use artificial or natural lighting for the perfect jewelry photoshoot. The advantage of natural lighting is that it is readily available for use at no cost. On the flip side, you can’t control the intensity of natural light, so you have to wait for the perfect time to photograph with natural lighting. One mistake a lot of people make when trying to shoot jewelry with natural light is waiting till midday when the sun is at its peak, believing that that is the best time for taking pictures of your jewelry. This is not true. Too much natural light can be too bright for your jewelry, and that would make the picture distasteful.

If you wish to use artificial lighting for your jewelry photography, ensure that all light sources you wish to use are of the same temperature and warm for uniformity.

4. Stand

You need a table for your jewelry photography, but you also need a jewelry stand to take all your pictures. You can also use jewelry holders, foams, and other props to shoot your jewelry. Adding these props makes your jewelry photography look more professional and entices people to want to look at it. 

Conclusion

Most of the equipment here is the equipment you would need for all kinds of product photography, not just jewelry photography. Jewelry photography should be done with the best of care to ensure that the right lighting, camera, and angles are used so as to attract more viewers to it. You can read about Jewelry photography – Tips and tricks that create stunning photos by visiting http://skinkandii.org/jewelry-photography-tips-and-tricks-that-create-stunning-photos/

If you are interested in selling your jewelry and you want to take solid photos of them, remember that with jewelry, what people see is very important. If you can provide the right image, you can make them imagine wearing your product and imagine how that product would look on them. For you to be able to attain that level of desire in the mind of your prospective customer, you must be willing to invest in good equipment that will help you with perfect photography and professionals to help with the process. If you don’t know where to start, you can start with the recommendations written above.